This may be personal, but not the loudest detail, but the empty space slows down the way the subject is approached. That is probably why it stays with me. It rewards another look.
This may be personal, but a variation could be interesting, although the way the smaller choices all lean toward the same mood already works on its own. It rewards another look.
A small observation: i am not sure a stronger treatment would help here. Right now, the quieter area ends up holding the composition together, and that already carries enough w……
有人也注意到主体和边缘的关系吗?我第二遍才发现,留白在控制视线靠近主体的速度。 它让画面多了一点不确定感。
@谢予舟: 回去对照了一下,我倒是先看到整体气氛,后来才注意主体和边缘的关系。观看顺序不一样,结论也会有点差别。 换个观看顺序,判断也会变。
@谢予舟: 顺着这条再看,对,尤其是效果没有一下做满,情绪反而留得更久。我第一遍没注意,回去看才发现它和主体和边缘的关系是连着的。 所以我觉得现在这样就够了。 另外,效果没有一下做满,情绪反而留得更久也在影响前面的判断。
@谢予舟: 顺着这条再看,同一个细节我感受不太一样。画面没有急着解释自己让我觉得画面是在收着,而不是没做完。 这两个角度其实可以同时成立。
细看会发现,短一点反而好说:留白在控制视线靠近主体的速度。这部分不用再加重了。 停下来看的时候才会明显。
This may be personal, but not the loudest detail, but the empty space slows down the way the subject is approached. That is probably why it stays with me. It rewards another look.
画面没有急着解释自己。我会好奇另一个版本如果让信息更快被看懂,情绪会不会变得更紧。 停下来看的时候才会明显。 第一遍容易略过,停下来以后才会更清楚。
This may be personal, but a variation could be interesting, although the way the smaller choices all lean toward the same mood already works on its own. It rewards another look.
换个角度看,我倒不觉得重点只在技术完成度,视线不是直奔中心,而是会稍微绕一下可能才是情绪真正成立的原因。 这部分不需要再额外解释。
有意思的是,刚开始看的是主体,后来反而被主体和边缘的关系留下来。画面边缘还承担着一部分叙事,这个顺序挺自然。 也可能是我更偏爱这种节奏。
A small observation: i am not sure a stronger treatment would help here. Right now, the quieter area ends up holding the composition together, and that already carries enough w……